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Eva Stachniak

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Eva Stachniak is an award-winning and internationally bestselling author of six novels, including The Winter Palace, Empress of the Night, and The Chosen Maiden. She holds a PhD in literature from McGill University. Born and raised in Poland, she moved to Canada in 1981, and lives in Toronto.
   
   
   
   
   

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Hamilton Review of Books

Posted by on Oct 29, 2017

The brilliant, internationally-acclaimed Polish dancer Vaslav Nijinsky had a sister. As children, Vaslav and Bronia danced together. As adolescents, they both won places to hone their art at the prestigious Imperial Ballet School in St Petersburg. As adults, they danced with the Ballets Russes throughout Europe and choreographed groundbreaking work. Vaslav eclipsed his younger sister in renown, but Bronia was a gifted dancer, choreographer and beloved teacher in her own right.

In The Chosen Maiden, Eva Stachniak brings Bronia out of Vaslav’s shadow. As Vaslav’s star was ravaged by devastating mental illness and the First World War sparked revolution in Russia, Bronia continued to work with grit and determination, creating dance that broke with tradition and challenged the expectations of what female dancers were allowed. In her fifth novel, Stachniak gives us an affecting portrait of a woman who was “strong enough to dance alone.”

Christine Fischer Guy: What drew you to the world of the Ballets Russes?

Eva Stachniak: It was not the Ballets Russes but the brilliant Nijinskys, Vaslav and Bronislava, brother and sister.

After my second Catherine the Great novel, I wanted to look at the end of Catherine’s Russia. At first I searched for an inspiring character among her descendants, but no one at the Imperial Russian court captivated me. Then I looked at the Artists of the Imperial Theatres, and I knew I’d found my people.

I have to confess I didn’t know of Bronislava Nijinska’s existence until I started researching her famous brother, Vaslav. Only then I learned that he had a younger sister Bronislava (or Bronia as she was often called) who was not only a talented dancer and a groundbreaking choreographer, but also a writer of Early Memoirs, a book that captivated my imagination. So it was Bronia’s voice — strong, powerful, inspiring — that led me to the world of Russian ballet and to the Ballets Russes. She was my inspiration, my muse, my guide and my teacher.

More: Christine Fischer Guy interviews Eva Stachniak

 

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The Chosen Maiden reviews/interviews

Posted by on Mar 13, 2017

Oxford Dance Writers:

….The Chosen Maiden “novel captures the artistic and personal development of an exceedingly courageous, talented and sensitive woman – a woman way beyond her time in ideas about dance. It also portrays an entire period of rich artistry, complex shifts in political and international affairs and the men and women who to this day are legendary in the world of ballet, music and production design…”

 

Ballet To the People:

The Chosen Maiden – the title taken from the lead role of Vaslav Nijinsky’s Sacre du Printemps, created for his sister Bronia – is very much about surviving unreal times. About finding the strength to continue on after everything is lost. It is about the duty of artists and the revolutionary power of grassroots movements. “The Chosen Maiden, my brother once told me, is a warrior, not a dying swan. She dances to make life possible again.”

 

Wonders and Marvels interviews Eva Stachniak:

How did you come across this story?  What inspired you to write about it?

The Chosen Maiden was born out of my fascination with Ballets Russes, a Russian dance company which, in the summer of 1909, took Paris by storm. Bronislava (Bronia) Nijinska –the intended Chosen Maiden from the 1913 production of The Rite of Spring choreographed by her famous brother Vaslav–was my inspiration. A brilliant dancer and a ground-breaking choreographer, herself, Bronia lived a life fuelled by art and made possible by the fierce loyalty of the Nijinsky women who stood by each other through thick and thin. The Chosen Maiden is what I like to call an archival fantasy, a historical novel weaved together from facts and imagination, an intimate portrait of a woman whose art and life helped to define what it means to be modern.

 

Wandering Educators on The Chosen Maiden:

NEVER have I been so entranced with a book, so reluctant to leave the world the author has created, so INTO a subject I previously knew little about.

The World Dances:

The Chosen Maiden, is pure gold. Every dancer, choreographer, mother of a dancer, or lover of a great story will be immediately immersed in this enticing historical novel ….

 

Cosmopolitan Review:

The Chosen Maiden, rescuing Nijinska from her brother’s shadow, reveals an artist, one who knows that “to excel, I have to be strong, resilient, see more, understand what is hidden to others”, and also, as her brother told her, that “Art is all that matters, Bronia. Everything else is distraction. 

 

Portland Book Review on writing The Chosen Maiden. The Curse of the Archives. 

       

Having written two novels based on the life of Catherine the Great I know how challenging it can be to write historical fiction, but I’ve never heard of the curse of the archives! At least not until I began working on The Chosen Maiden.

Bronislava Nijinska, the inspiration for The Chosen Maiden, was a prominent dancer and choreographer. She was also the younger sister of Vaslav Nijinsky, one of the greatest male dancers in history, and a genius choreographer as well. Unlike her brother whose career ended when he was institutionalized with schizophrenia at 23, Bronislava, or Bronia as she was called, lived a long and productive life. She was one of the first female choreographers employed by a ballet company – as the legendary impresario Sergey Diaghilev hired her as a choreographer for Ballets Russes in 1921. She had her own dance company and worked for others. She also kept exhaustive records of her life which eventually found their way to the Library of Congress.

 

Kris Waldherr: “It’s a wonderful read—Eva’s writing is tender, evocative, and immersive.”  

from: Interview with Eva Stachniak.

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The Chosen Maiden reviews and interviews

Posted by on Jan 4, 2017

 

The Next Chapter with Shelagh Rogers interview:

           Eva Stachniak on The Chosen Maiden   

Publishers Weeklystar review

Stachniak brilliantly brings the story of Bronia, the lesser-known Nijinsky, to life. She has an excellent command of the period and the dance world, and an ability to draw characters who will enrapture the reader.

The Toronto Star:

…delightful …

…  a tale of intrigue, love, betrayal and redemption set in the realm of art and artists, exploring the line between dedication and obsession, creation and madness.

… Stachniak weaves together beautifully the myriad moments that bring this fascinating family and period to life.

Library Journal:

… exquisite fictionalized memoir.

… Drawing on her thorough research into Bronia’s archives, the author has teased out revealing insights into the art of the dance, and she writes skillfully about the emotional truths that arose from Bronia’s ambitions, family relations, and deep anxieties. Dance fans will welcome this graceful and entrancing foray into the recent past.

Quill and Quire:

Many works of fiction take as their inspiration true events and persons of historical significance, but few do so as lovingly and imaginatively as Eva Stachniak’s fifth novel

….

a remarkable work of historical fiction

The Chosen Maiden is both a tribute to a female artist who remained true to her vision despite numerous obstacles, and to the woman behind her who made it possible. MORE

The Globe and Mail

Eva Stachniak: ‘We live in a country that embodies the essence of the 21st century’

The Chosen Maiden was born out of my fascination with Ballets Russes, a Russian dance company which, in the summer of 1909, took Paris by storm, and fundamentally transformed Western notions of modern art. I wrote it because, after over 30 years in Canada, I’m still exploring the encounters between East and West, their exhilarating possibilities and illuminating setbacks.. MORE

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The Chosen Maiden ballets 1914-1935

Posted by on Nov 5, 2016

In 1914 Bronislava (Bronia) Nijinska began her own career as a choreographer. There is no film footage of the modern ballets she choreographed in Kiev, but some images exist. 

mephisto-meller

 

1919: Vadim Meller painted Bronia Nijinska dancing in  Mephisto Waltz

 

Les Noces, choreographed by Bronislava Nijinska to Igor Stravinsky’s music premiered in June, 1923, in Paris. This recreation is danced by the Mariinsky Ballet.

 

1924:  Les Biches

Les Biches or a House Party is a ballet of social satire. Its main role, the Hostess, was played by Nijinska herself. 

1924: Le Train Bleu

Le Train Bleu refers to the train’s destination: a fashionable resort in the South of France. The costumes for Le Train Bleu were designed by Coco Chanel.

1928: Nijinska’s choreography of Ravel’s Boléro, which she created for Ida Rubinstein’s company.

 

1935: A Midsummer Night’s Dream choreography from a film directed by Max Reinhardt.

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The Chosen Maiden ballets 1909-1913

The Chosen Maiden ballets 1909-1913

Posted by on Nov 5, 2016

The Chosen Maiden is a work of fiction, but since it is inspired by historical characters, it is based on historical research and refers to ballets considered milestones in ballet history. If you like to get a sense of the ballets that play an important part in the novel, here is a peek into the world of Ballet Russes from its inception to the famous Parisian 1913 premiere of The Rite of Spring choreographed by Vaslav Nijinsky. 

This short film puts together the animated still photographs of Vaslav Nijinsky dancing in Le Roi CandauleLe Dieu Bleu, Schéhérazade, Petrouchka, Afternoon of the Faun, as well as some footage if his choreographic masterpiece, The Rite of Spring. The compilation of these fleeting fragments ends with the haunting drawings Vaslav Nijinsky made as he was slipping into madness. 

The Afternoon of the Faun is worth watching in full. In her memoirs Bronia Nijinska wrote: “Vaslav is creating his Faun by using me as his model. I am like a piece of clay that he is moulding, shaping into each pose and change of movement.  ….how much I am learning form him….”

 

 

We have precious little documentation of the original 1913 production of Vaslav’s Nijinsky’s The Rite of Spring. The Joffrey Ballet recreation of the ballet is an educated guess based on research and the testimony of dancers who took part in it. The third part is the dance of The Chosen Maiden, the role which Vaslav  choreographed with his sister in mind, but which–in the original production–was danced by Maria Piltz.

 

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The Chosen Maiden–an excerpt

The Chosen Maiden–an excerpt

Posted by on Apr 16, 2016

 

Room 11, Berth 3, SS American Trader.

My last address? For this ship may well become my coffin, sinking here, somewhere between Europe and America, as did SS Athenia on her way to Montreal last month. Now we, too, are a tiny speck on the grey waters of the Atlantic. If we make it, New York will greet us with its skyscrapers, those towering giant lizards, scaly and beautiful. And a new life that might not be that new after all. We make vows in moments of danger then slip back into old habits.

My London contract was cancelled the day Britain declared war on Germany. With all the theatres closed and the clock ticking on our British visas, I signed with Wassily de Basil’s company for their Australian tour. If we do go to Australia, that is. We make plans, my mother would remind me, and God laughs.

If the protracted visa interview at the American embassy in London was any indication, I’ll have to steel myself for questions, account for the contradictions of history. My imperial Russian passport declares that Бронисла́ва Фоми́нична Нижи́нская—Bronislava Fominitchna Nizhinskaya—was born in Minsk, in 1891. My Polish passport insists that Bronisława Niżyńska is a Polish citizen, born in Warsaw in 1890. My Nansen passport argues that I am stateless. Mercifully they all agree that my face is oblong, my complexion fair and my hair blond, although my eyes are described variously as green or blue.

Mine, I will defend myself, is not a simple story.

 

 

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